Mostrando entradas con la etiqueta Ray Bradbury. Mostrar todas las entradas
Mostrando entradas con la etiqueta Ray Bradbury. Mostrar todas las entradas

jueves, 16 de marzo de 2017

I see you never



I See You Never

By Ray Bradbury


      The soft knock came at the kitchen door, and when Mrs. O’Brian
opened it, there on the back porch were her best tenant, Mr. Ramirez,
and two police officers, one on each side of him. Mr. Ramirez
just stood there, walled in and small.
 “Why, Mr. Ramirez!” said Mrs. O’Brian.
       Mr. Ramirez was overcome. He did not seem to have words to
explain.
       He had arrived at Mrs. O’Brian’s rooming house more than two
years earlier and had lived there ever since. He had come by bus
from Mexico City to San Diego and had then gone up to Los Angeles.
There he had found the clean little room, with glossy blue
linoleum, and pictures and calendars on the flowered walls, and
Mrs. O’Brian as the strict but kindly landlady. During the war, he
had worked at the airplane factory and made parts for the planes
that flew off somewhere, and even now, after the war, he still held
his job. From the first, he had made big money. He saved some
of it, and he got drunk only once a week—a privilege that, to Mrs.
O’Brian’s way of thinking, every good workingman deserved,
Unquestioned and unreprimanded.
       Inside Mrs. O’Brian’s kitchen, pies were baking in the oven. Soon
the pies would come out with complexions like Mr. Ramirez’s,
 brown and shiny and crisp, with slits in them for the air almost like
the slits of Mr. Ramirez’s dark eyes. The kitchen smelled good. The
policemen leaned forward, lured by the odor. Mr. Ramirez gazed at
his feet, as if they had carried him into all this trouble.
 “What happened, Mr. Ramirez?” asked Mrs. O’Brian.
       Behind Mrs. O’Brian, as he lifted his eyes, Mr. Ramirez saw the
long table, laid with clean white linen and set with a platter, cool,
shining glasses, a water pitcher with ice cubes floating inside it, a
bowl of fresh potato salad, and one of bananas and oranges, cubed
and sugared. At this table sat Mrs. O’Brian’s children—her three
grown sons, eating and conversing, and her two younger daughters,
who were staring at the policemen as they ate.
       “I have been here thirty months,” said Mr. Ramirez quietly, looking
at Mrs. O’Brian’s plump hands.
      “That’s six months too long,” said one policeman. “He only had a
temporary visa. We’ve just got around to looking for him.”
      Soon after Mr. Ramirez had arrived, he bought a radio for his
little room; evenings, he turned it up very loud and enjoyed it. And
he had bought a wrist-watch and enjoyed that, too. And on many
nights he had walked silent streets and seen the bright clothes in
the windows and bought some of them, and he had seen the jewels
and bought some of them for his few lady friends. And he had
gone to picture shows five nights a week for a while. Then, also,
he had ridden the streetcars—all night some nights—smelling the
electricity, his dark eyes moving over the advertisements, feeling
the wheels rumble under him, watching the little sleeping houses
and big hotels slip by. Besides that, he had gone to large restaurants,
where he had eaten many-course dinners, and to the opera
and the theatre. And he had bought a car, which later, when he
forgot to pay for it, the dealer had driven off angrily from in front of
the rooming house.
      “So here I am,” said Mr. Ramirez now, “to tell you that I must give
up my room, Mrs. O’Brian. I come to get my baggage and clothes
and go with these men.”
     “Back to Mexico?”
      “Yes. To Lagos. That is a little town north of Mexico City.”
      “I’m sorry, Mr. Ramirez.”
      “I’m packed,” said Mr. Ramirez hoarsely, blinking his dark eyes
rapidly and moving his hands helplessly before him. The policemen
did not touch him. There was no necessity for that. “Here is
the key, Mrs. O’Brian,” Mr. Ramirez said, “I have my bag already.”
     Mrs. O’Brian, for the first time, noticed a suitcase standing behind
him on the porch.
     Mr. Ramirez looked in again at the huge kitchen, at the bright
silver cutlery and the young people eating and the shining waxed
floor. He turned and looked for a long moment at the apartment
house next door, rising up three stories, high and beautiful. He
looked at the balconies and fire escapes and back-porch stairs, at
the lines of laundry snapping in the wind.
      “You’ve been a good tenant,” said Mrs. O’Brian.
       “Thank you, thank you, Mrs. O’Brian,” he said softly. He closed
his eyes.
      Mrs. O’Brian stood holding the door half open. One of her sons,
behind her, said that her dinner was getting cold, but she shook
her head at him and turned back to Mr. Ramirez. She remembered
a visit she had once made to some Mexican border towns—the hot
days, the endless crickets leaping and falling or lying dead and brittle
like the small cigars in the shop windows’ and the canals taking
river water out to the farms, the dirt roads, the scorched
fields, the little adobe houses, the bleached clothes, the eroded landscape.
She remembered the silent towns, the warm beer, the hot, thick
foods each day. She remembered the slow, dragging horses and the
parched jack rabbits on the road. She remembered the iron mountains
and the dusty valleys and the ocean beaches that spread hundreds
of miles with no sound but the waves —no cars, no buildings,
nothing.
      “I’m sure sorry, Mr. Ramirez,” she said.
     “I don’t want to go back, Mrs. O’Brian,” he said weakly. “I like
it here. I want to stay here. I’ve worked, I’ve got money. I look all
right, don’t I? And I don’t want to go back!”
    “I’m sorry, Mr. Ramirez,” she said. “I wish there was something I
could do.”
     “Mrs. O’Brian!” he cried suddenly, tears rolling out from under
his eyelids. He reached out his hands and took her hand fervently,
shaking it, wringing it, holding to it. “Mrs. O’Brian, I see you never,
I see you never!”
     The policemen smiled at this, but Mr. Ramirez did not notice it,
and they stopped smiling very soon.
     “Goodbye, Mrs. O’Brian. You have been good to me. Oh, goodbye,
Mrs. O’Brian. I see you never”
      The policemen waited for Mr. Ramirez to turn, pick up his suitcase,
and walk away. Then they followed him, tipping their caps to
Mrs. O’Brian. She watched them go down the porch steps. Then she
shut the door quietly and went slowly back to her chair at the table.
She pulled the chair out and sat down. She picked up the shining
knife and fork and started once more upon her steak.
      “Hurry up, Mom,” said one of the sons. “It’ll be cold.”
      Mrs. O’Brian took one bite and chewed on it for a long, slow time;
then she stared at the closed door. She laid down her knife and
fork.
     “What’s wrong, Ma?” asked her son.
     “I just realized,” said Mrs. O’Brian—she put her hand to her face—
“I’ll never see Mr. Ramirez again.”


The New Yorker, 1949.

jueves, 21 de junio de 2012

Raimundo y su mundo - La columna de Vivir en El Poblado



Si hubiera nacido en los tiempos en que traducían los nombres de los escritores, lo habríamos conocido como Raimundo y no habría faltado quien dijera que en su nombre ya estaba contenido su destino. A Raimundo ninguna de las cosas de este mundo le resultaba ajena. Su curiosidad era tan grande que a veces necesitaba de otros mundos. Pero nos ha llegado con algo como un nombre de músico o boxeador, un sonoro y vistoso conjunto de palabras que parecen producto de su imaginación.

Chesterton decía que la grandeza de un hombre se aprecia en el hecho de que sus admiradores no lo entien­den y sus opositores lo tergiversan. En el caso de Ray Bradbury, lo primero es evidente en el hecho de que nadie ha sabido dónde ubicarlo. Se le etiqueta por lo menos en cuatro categorías: horror, misterio, ciencia ficción y fantasía. Su aparente falta de opositores radica en que aquellos a quienes critica no se dan por aludidos, estamos enceguecidos creyéndonos mejores de lo que somos.

En literatura hay otra prueba de grandeza: el elogio de Borges. Bradbury fue el último sobreviviente de esa estirpe de admirados. A Borges le encantaban las Crónicas marcianas, en especial aquella donde un astronauta llega a una réplica de su pueblo natal, es recibido por réplicas de su familia y se va a dormir a una réplica de su cuarto de infancia. Nadie vuelve a acostarse en su cama tranquilo después de leer esa historia de Bradbury.

Fanrenheit 451 es como la puerta de entrada al mundo de Raimundo. Hay una belleza majestuosa en esos personajes que escaparon al embrutecimiento de las pantallas y se dedicaron a mantener con vida en su memoria los libros destruidos. Las crónicas marcianas nos devuelven la capacidad de asombro frente a nuestro propio mundo. Uno no vuelve a ver a esas criaturas de dos ojos y una boca y coronados de plantas como si fueran la cosa más trivial del universo. Los cuentos, por su parte, son como el inventario de todos nuestros sueños.

Cada lector de Bradbury puede citar al menos una historia que le ha cambiado la vida, que lo ha estremecido hasta la médula. Sus libros tienen la extraña propiedad de contarnos historias que todos hemos vivido, presenciado, soñado o imaginado. Producen el efecto de lo ya visto. En sus páginas leer es recordar los misterios esenciales de la vida, los temores y dichas, la noche eterna a la que asomamos por un instante breve esa mirada monstruosa que llamamos entendimiento.


Si algún día llegara a ocurrir que hay que salvar a Bradbury del olvido, yo elijo convertirme en la versión viviente del primer capítulo de El vino del estío. El mo­mento en que Douglas se descubre en el mundo es poesía en su estado más puro. Confieso que en una de mis nove­las traté de volver a escribir ese momento en que un niño se hace consciente de sí mismo, pero la copia salió pálida. Quizá si lo sigo intentando me saldrá bien algún día. Siento, de todos modos, que fue mi forma de rendirle un homenaje al gran contador de historias que hizo hasta de su muerte un hermoso relato; pues se marchó de este mundo a bordo de un planeta diminuto que tuvo la osadía de querer tapar el sol. 


Publicado en Vivir en El Poblado el 21 de junio de 2012.